Xamon Song
Where is this happening?: A multinational corporation made a deal with a the government of a small, poor country to pay good cash in order to take advantage of the natural resources. Everyone was fine until the corporation pushed harder into land occupied by natives, who then pushed back with a rebellion. Now, the government's siding with its corporate bedpartner, nearby countries have sent in "security" forces, and the corporation, impatient to continue their profitable rape of the land, has hired private paramilitaries to silence the rebellion -- by whatever means necessary.
Guesses?
In this particular case, this political backdrop provides the set-up for a work of fiction. The country is Xamon, a place that doesn't exist anywhere and yet certainly exists. Told from the perspective of a young man who enlists in the military and finds himself confused by the politics of the conflict while plunked down firmly in the center of it. Eddie, a recent high school graduate with aspirations of making it big in the music business, guides us through the story with a unique voice -- a little reminiscent of Salinger's Holden Caufield, but without anywhere near the adolescent angst (or all the cussing). He could be any G.I, from any town, probably a C student with a lot of social awkwardness, who learns in basic training that he has exceptional sharp shooting skills and the patience and stealth to gather intelligence.
Eddie and his buddy Mike volunteer for service together and find themselves paired for security duty in Xamon. Rumors are flying about who is really supporting whom, and their force receives word that human rights activists are also patrolling the area, with reports of mass killings of local villagers occupying land wanted by the corporation.
What happens to them is predictable: Eddie and Mike cross paths with a young woman one day in the middle of an otherwise routine patrol. Digna is young, passionate and idealistic, and she's there with two other human rights' activists, looking for evidence of foul play in the local villages. When she and the young soldiers backtrack to the village she'd fled from, they find a massacre of the place. Men, women, children -- civilians -- pulled from their homes and shot down in the middle of an open field.
The scene, and the resulting discussion among the characters, as well as their actions, is what serves to make this novel worth reading. The characters recognize that they are bearing witness to actions that are unjust and morally despicable. The question, for them, and for all of us is, What next?
Human Rights Watch lists its current campaigns for ending human rights violations, ranging from the crisis in Darfur, to Burma's use of child soldiers, to the use of the death penalty in the U.S. Amnesty International does the same. Many (but not all) of the most flagrant abuses happen beyond our borders, and much of it occurs to vulnerable groups -- ethnic or religious minorities, children, women, the poor. This isn't about partisan politics, it's about agreeing that all the human beings on this earth deserve basic rights -- freedom from slavery and torture, recognition under the law, fair treatment in the justice system, freedom to marry and have a family, to live with reasonable health and well-being and pursue work and education.
Are we willing to say that these people matter too?
In the words of the character Digna, "It has to matter...And someone has to do something. And even if they don't, I have to do something, I have to at least try to get the word out."
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We've got two autographed copies of Xamon Song to give away to Soccer Mom Vote readers, courtesy of the author, Adam Stone, and his wife Shannon (who just happens to be a regular reader and commenter here!).
To enter, simply leave a relevant comment with a valid e-mail address. I'll pick two winners at random on Wednesday, July 11. Winners will be notified by e-mail.

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